July, 2009

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Back To (Teaching) The Basics of Photography

Sunday, July 26th, 2009
(c) 2007 Stu Estler

(c) 2007 Stu Estler

Have you ever wondered why it is that two people, standing side-by-side, even with the same cameras, can each take a photo of the same subject? One takes a dramatic, emotionally-charged image, while the other’s photos are … dull, uninteresting – you just don’t get that emotional “aha” that you get from really great photos, that feeling of becoming drawn in and becoming part of the picture.

In the 25 plus years I’ve been a professional photographer so many people have asked me how to improve their photos, that I’ve taken all of the knowledge, experience, techniques and tricks that I’ve leaned over my photography career and put it all together in a photo course.

 

 

 

Here are some of the things I cover:

  • Have you ever taken a great shot, and thought “wow, how do I do that again?” You’ll learn how to use all those controls and settings on your camera so that you are able to reliably and easily get consistent results from your photos.
  • Imagine how the impact of little differences in framing and composition can have a dramatic effect on the impact of your photo. You discover how to compose your pictures to capture and lead your viewer’s emotions.
  • We’ll look at design elements in a photograph, how they affect your photos and why they’re such a critical cornerstone in taking really great pictures.
  •  You’ll learn how to see and understand all about light – front lighting, side lighting, back lighting, the color of light, how different times of day makes a difference … remember, photography is all about light. Even the word photography means “drawing with light”.

The course is a self-directed, self-paced program, delivered online via email and a website where you download your weekly lesson. I’m close to releasing the online course, but first I want to fine-tune it to be sure I’m on the right track with what everyone’s looking for.

Before this course goes live, it’s important that I’m certain my students are achieving the success they desire.

What I’ve decided to do is put together a class – a live face-to-face class – as a Beta-test to put the finishing touches on the course.

I’ll get input from all of the members to learn exactly what is most important – what you’d like to learn to help improve your photography.

 We’ll meet for an hour once a week, for six weeks, partly on location where I can demonstrate and you can practice techniques, and partly inside where we can review photos and see examples.

 Now, since you’re reading this photo blog, I’m guessing you have some kind of an interest in photography. So how about chiming in and helping me out?

What three things are you most interested in learning about photography? Doesn’t matter if you’re a working pro or a new beginner. Those of us who are working pros all know the way we got here is through constantly learning. And if you are a pro, what are people asking you?

(c) 2009 Stu Estler

(c) 2009 Stu Estler

This will also help us develop the program for the next Design4Kids workshop in Guatemala this December. So even if you can’t come along and volunteer this time, you can still participate in helping out the kids.

 

So go ahead and leave a short (or long) answer in the comments below.

I realize it’s kind of hard to find – it’s buried at the end of each post, as “responses”. I’m still looking for a template I like that handles comments better, haven’t found one yet. Any ideas there are welcome, too!

 

P.S.  – If you’re in the Washington DC area and would like more info on the live class, let me know how to contact you.

Re-Photographing The Familiar

Monday, July 13th, 2009

In contrast to the week in Guatemala, where everything was new and exciting, I’ve just returned from a long holiday weekend spent with family at a lake we’ve been visiting for the past nine or ten years.

 

We go at about the same time each year (around July 4th), stay at the same house we’ve stayed at each year, and after that much time it all has the look and feel of familiarity that we all find in our own every day surroundings.

(c) 2009 Stu Estler

(c) 2009 Stu Estler

 

 

Now don’t get me wrong – it’s a beautiful location, it’s great to spend time together with the family, and there’s plenty to do at and around the lake. It’s hardly a boring vacation.

 

But after this long, I found myself working much harder to find new and different photo ops. Being a bit laid slowed down by an injury this year kept me from being as active and from ranging as far afield as I usually do, and that certainly played a part.

 

One of the first reactions in a place like this is to zone in on the beauty of the place and the ever-changing scene unfolding as weather moves up, down and across the lake.

 

But after ten years, I found myself thinking, “OK, so I don’t have a photo of the lake with THAT particular cloud formation, but I’ve got eleven dozen with cloud formations that look an awfully lot like that one.”

 

Of course, there will always be the shots of family and our activities, which are a never-ending source of subject matter. When we look back, it’s those pictures that keep the memories of those wonderful times alive.

 

We may always go up to the airport for the Fourth of July Pancake Breakfast, but this is probably the only time that I’ll see my niece’s son – would that be my grand-nephew? I’m still confused about all that stuff – probably the only time I’ll catch him surveying his handiwork on his pancake breakfast like this.

(c) 2009 Stu Estler

(c) 2009 Stu Estler

 

 

In fact there was barely time to lift the camera and press the shutter before the moment was gone. No time to carefully compose, and avoid the bright orange shirt behind him. A bit of localized saturation and tone reduction helped reduce that a little – believe me, that shirt must be neon international orange!

 

When the exciting becomes the ordinary, it’s helpful to go back to the basics, and take a look at things through different eyes.

 

Are you used to framing grand, sweeping panoramas? Switch to a long lens and take a much closer look at things. Concentrate on design, on color, on form instead of on what the subject is.

 

Select a particular focal length lens – even if it’s a particular setting on a zoom lens – and shoot everything, near and far, with that lens.

 

Get closer to your subject, for more intimate shots of people than the comfortable distance you may be used to shooting at.

(c) 2009 Stu Estler

(c) 2009 Stu Estler

In the end, it was on the last morning there, sitting by the water having coffee, that the patterns of light through the water, painting the rocks below, gave me some of my most successful photos.

 

There’s always something new to see no mater how familiar a subject is. It just takes looking at it from a different point of view.