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Experimenting The Possibilities of Digital Photography

Wednesday, June 3rd, 2009
(c) 2009 Whitney Klare

(c) 2009 Whitney Klare

    

I’ve mentioned my friend Whitney, Rudy’s granddaughter, and her passion for photography. She’s sent me a few samples of her work, and with her permission, I’d like to share them with you. She’s already an accomplished photographer, with a great eye for composition and design. From her work, I’m beginning to see that she has a strong interest in abstracts, in using the many tools of digital photography to create a vision of an alternate reality.

 

This got me thinking about how even when our intent is to create an image that doesn’t exist in our physical world, all of the skills and creative processes of photography still apply.

 

Being “old school”, and learning all of this well before digital came on the scene, I’ve been well trained in “getting it right in the camera”. Even with film and print-making, there are plenty of options for manipulating the image. But starting out and working with a pre-visualized result in mind is a true mark of your skills.

 

It’s valuable and important to develop your ability to do it “the right way”, both in shooting and in image processing and making adjustments, not to satisfy some “rule”, but because it gives you so much more control over getting the results you want.

 

Even with an abstract, and much more so as your images come closer to a vision of “reality”, being able to pre-visualize the shot you want, and understanding and working with the elements of light, composition and design to get those results at each step, makes your work that much more powerful.

 

(c) 2009 Whitney Klare

(c) 2009 Whitney Klare

 

 

A true testament to your skills is to be able to visualize an image that isn’t there in front of you, shoot it and adjust it so that the final result makes people believe that it is the reality that was there. That’s when they say “Wow, how did you get such an amazing shot – I’ve never seen it look like that!” (Whatever “it” is).

 

Those of us from the “old school”

realize that it was Ansel Adam’s not-so-secret print-making work, together with an exact system of exposing and processing his film that created the magnificent images that he pre-visualized.

 

So keep shooting, keep experimenting, and keep learning and developing your skills.  

 

Springtime Photos In DC

Tuesday, May 5th, 2009

Spring is a great time of year. I’m not a big fan of winter’s short days, cold weather and gray-brown scenery, and the explosion of color and life that comes in the spring rejuvenates the soul.  Of course, it does come along with the infamous Mid-Atlantic explosion of pollen – good grief, what a season this one is turning into!

(c) 2009 Stu Estler

(c) 2009 Stu Estler

It’s spring again, and also time for a quarterly project I‘ve been doing for 23 years with one long-time client.

 

 

 

 

Sneezin’ and wheezin’ aside, it always amazes me how the landscape can go from a barren, desolate winterscape to a lush, green jungle-like blanket in just a month. In fact I just drove up along Canal Rd., coming out of DC along the Potomac, and the grass along side the road that hasn’t been cut yet is wheat-field high and has seed heads! In early May!

 

Since this particular client is a major real estate firm, and the project is a magazine featuring their high-end properties, the change is especially welcome. Everyplace looks better in a full dress of azaleas, dogwoods and greening trees.

 

Now if we could just get this week of rain to let up . . .

 

Never Pass Up The Shot

Thursday, March 5th, 2009

OK, never is a pretty long time, and we’ve all got schedules to keep. But when you see a potential shot, and there’s any way to make it happen, take it now. Obviously street scenes and candids that include people will never be recreated exactly the same. But even subjects that aren’t going anywhere –  like landscapes, architectural shots – will never look quite the same again.

 

The combination of light, weather and all the other variables will never make it look quite the same. I too am subject to the rule of “gotta be somewhere” and have passed by scenes that were just perfect photo-ops, planning to come back at another time. No matter how many times I’ve returned, at the same time of day, with the same weather conditions, something has always been different and the shot was never quite the same.

 

Sure, there often is a shot there, but the shot – the one that caught your eye and imagination – is gone forever.

Share Your Creative Vision

Wednesday, February 11th, 2009

Alhambra Palace, Grenada, Spain Copyright 2006 Stu Estler

Alhambra Palace, Grenada, Spain Copyright 2006 Stu Estler

More than simply a tool to record an event, photography allows us to interpret our environment in a way that reflects our vision of it; even to cross that line between fantasy and reality and create a world that may not appear to exist to the eye. Moreover, the viewer has the ability to apply his or her interpretation of the photograph, further expanding our views and challenging our beliefs as to what may or may not be reality.

 

 

 

 

Ansel Adams said that “There are always two people in every picture – the photographer, and the viewer.” Richard Avedon wryly observed that “All photographs are accurate. None of them is the truth.” These two thoughts compliment each other and together help define why we find photographs both uneasily challenging to our beliefs, yet seductively alluring to our imagination and desires.

Ultimately the ability to create a reality of our own design may be the most appealing element of all in photography. The truth is, we all view “reality” through our own filters, our own beliefs and desires. Photography allows us to easily express our creativity to surprise, persuade and maybe just to share our reality with the rest of the world.