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Photo Classes In Honduras

Saturday, June 12th, 2010

After a delayed flight leg from Houston, Eric and I arrived in Guatemala City at about 10:00pm Monday.  Checked into our hotel (the Barcelo – quite nice) at about 11:00pm, checked out at 4:00am to get to the bus station – making our stay about $20 an hour!

Tuesday was an all-day bus ride from Guatemala City to La Ceiba, Honduras. Fourteen hours, with a bus change and layover of 2 hours in San Pedro, Honduras. Met our cab driver in La Ceiba and took the 45-minute ride up the dirt road to Las Mangas.

After disembarking in San Pedro my iphone was “disappeared” – slipped out of my pocket in the seat, and I was off the bus before I realized it. A “search” by the bus service personnel turned up nothing. Mysteriously I was not allowed back on to look for myself.

So much for keeping in touch by email – all of my contacts were on the phone, not yet in this new computer. Hopefully I’ll be able to restore everything from the backup when I return and get a replacement.

The next two days were spent teaching photo classes to the students at Guaruma, the school project here. Originally started as a photography school for the children in Las Mangas, the project now has expanded to include environmental awareness studies and English, and has a second location about 5 kilometers farther up the mountain in El Pital.

The project we created for the kids was a simulated magazine cover, to teach the students awareness of shooting pictures for a specific format and subject, and then laying out the cover with their photos in Photoshop.

Wednesday we met up with Guaruma’s assistant director, Chris Poliquin and the school’s English teacher, Erin Coutts. That day we worked with the students in Las Mangas, and the theme of their assignment was “form and color in nature”. We took a walk along the nature trails that Guaruma maintains up the road and across the river just outside town. CB

The kids here are very much into macro photography, and their sensitivity and awareness of their environment is great to see. A few leaves on the jungle floor become a carefully composed still life, often displaying the subtle interplay of muted greens and browns, other times exploding in the vibrant colors of jungle flowers.

And insects – Oui! They have a critical eye for the smallest creature resting on a leaf or poised on the end of a branch, and work their subjects like a fashion photographer working with their model. Incredible shots of what others might think of as mundane and perhaps something to be dismissed and avoided.

After shooting their photos, we returned to the school where they loaded them onto the computers and learned how to combine the images in Photoshop into a template Eric created as the cover layout.

Then they played with changing type colors and fonts, moving type around the page, and learned how working with layers simplifies so many things. The students were excited to discover what they could do in the program and quickly realized how these techniques could be used with other projects.

Thursday we went up the road to El Pital and worked with the students up there. Neither of these “towns” are even wide spots in the road, but El Pital is a bit more “rustic”. There’s no nature trail there and the focus of their shoot was portraiture of the townspeople.

After some pointers on the do’s – and don’ts – of taking people pictures along with an explanation of how to shoot for a specific format, we unleashed this gaggle of paparazzi on the town.

While a few held back and preferred the comfort of using each other as subjects, most were quick to engage people they met (of course in this town, everyone knows each other) and ask to take their picture. Most were willing subjects and enjoyed working with the kids.

After corralling everyone and herding them back to the classroom, the kids went through the same process of putting their photos into the “cover” template. This group was a bit less computer-savvy than the Las Mangas kids, but nonetheless picked up the concepts and techniques pretty quickly.

This project gives the students an opportunity to learn practice skills that they’ll be able to apply to all of their photography as they move forward in developing their skills.

Design4Kids IV Photo & Graphic Design Workshop

Sunday, May 30th, 2010

The fourth Design4Kids workshop begins June 17th in Santiago de Atitlan, Guatemala. This one has been dubbed “The Master Class” and will be made up of the senior students of previous workshops. In addition to classes in photography and graphic design, we’ll have a stronger emphasis on marketing and small business practices ready to be applied to Jakaramba, the design studio born of the workshops and our parent group, FotoKids.

All of the members of the Jakaramba studio will be participating in the workshop. Up to now their clients have been primarily local and regional non-profit organizations, and they’ve worked on smaller projects. We hope they’ll come away from the workshop with a clear direction for the studio and a solid marketing plan, ready to take their business to the next level.

The client for this workshop will be FotoKids itself, and the project a self-published book to be used for promotion and fund-raising. Plans for the he book are to include an overview of the Fotokids project, feature photographs by FotoKids students, and to touch on the beauty and challenges of Guatemala.

Additional customizable chapters will include bios on individual students, coverage of the Design4Kids project and a look at Jakaramba.

Instructors for this workshop will be Design4Kids director Jeff Speigner, teaching graphic design, Cathy Shea teaching marketing, and Eric Lollkema and myself teaching photography. I’ll also be working with Cathy to interject the small business, target marketing approach with her big business marketing skills and experience.

Eric and I will be arriving a week early and making a side trip to Honduras, where we’ll be teaching photo classes for several days at Guaruma, the Honduras branch of Fotokids.

An interesting side note I’ve recently learned is that while it is currently the rainy season in Guatemala, with moderate temperatures and daily storms, Honduras, right next door but on the Caribbean coast, is in their dry season, with hot sunny days and temps near 100! Quite a climate variance in a area the size of the Carolinas!

Check in regularly – I’ll be providing periodic updates during the trip – internet connections permitting.

Lessons On People Photos From The Class

Monday, April 5th, 2010

We’ve just completed the first six-week session of e-mail classes. The students enjoy the flexibility of doing the work on their own schedule, and the results have been quite dramatic.

We had two classes going during the winter session. “Master Your SLR” is a beginner class for people who are just starting to learn about photography beyond pointing, pressing the button and letting the camera do the rest. We cover the basics of taking control of your pictures and getting the kind of results you want, consistently and predictably.

“Develop Your Creativity” moves beyond the basics, and takes a more in-depth look at the fundamentals of light, composition and design. The concepts we cover in this class are applicable to shooting with any type of camera, as long as you understand how to use it. Most of the students at this level tend to have moved up to an SLR to take maximum advantage of being in complete control of their photos.

One of the early lessons looked at how the direction of light falling on your subject – front lighting, side lighting or back lighting – affects your image.

While shot as an example of front lighting, one photo stood out because of its apparent simplicity revealing quite a few layers of complexity in our response to it. The photo was taken by Kathy Ma, and she’s allowed me to use it here to share with you.

There’s great use of negative space and color contrast. By framing so that there’s more room behind him than in front, the feel is that he’s moving out of the image rather than into it. With his face turned away from the camera, there is a sense of aloofness, of disassociation from the photographer or viewer. It actually creates quite a few possible responses, layered on each other and each revealed as you look at it more.

Probably more than any other subject, when we photograph people the subject itself becomes the dominant element in the image. With most other subject – landscapes, architecture, “things” – the viewer is more aware, either consciously or subconsciously, of how light and design elements affect the image.

When we – people – see photos of other people, we tend to focus on the person, because this is a subject we instinctively feel we understand and want to know more about. All of the other aspects of the photograph – light, design – are just as meaningful and important in creating and directing the viewer’s response, but they tend to become secondary to the subject, at least at a conscious level.

Yet when given appropriate attention, the design and light elements create that “a-ah” response that sets a people image above the rest. The really great portrait/people shooters like Annie Leibowitz and Arnold Newman know this and use it.

A classic is Newman’s portrait of Igor Stravinsky at his piano. The shape of the piano dominates the area of the image, augmented by the contrast of the white background, yet Stravinsky, just in the corner of the image, is clearly what the photo is all about. If you’re not familiar with Arnold Newman’s work you definitely owe it to yourself to look some up.

Design4Kids III Photo-Design Workshop An Overwhelming Success

Monday, December 21st, 2009

The workshop pace picked up on Friday and into Saturday, culminating in the presentation of the project designs to the client, Hospitalito Atitlan. The client was blown away! The group came up with five different potential designs, and the hospital is trying to decide which one to use. They are all outstanding works.

After the client presentation just about everyone relaxed at a party along the lakefront. Unfortunately, it was about that time that some evil bug got hold of me. I won’t go into details on the chills and my other experiences of the afternoon and evening – let’s just say the bug had me confined to quarters for the duration, and I missed the party and the final dinner that evening.

What a great group though – after the dinner everyone came up to my room to check on me and say goodbye. We really come together like a family at these workshops, and the last day is an emotional mix of elation over the success of the week and the sadness that it’s over.Santiago Christmas Tree

After a long day of travel on Sunday I arrived back home in Maryland, and picked right up on Monday where I had left off on shooting an annual report for one of my clients. Then, just to really make the point that I wasn’t in Guatemala anymore. The now famous “Blizzard of 2009” embraced us this weekend here in the Mid-Atlantic.

What a dichotomy – one Saturday walking through Santiago as Christmas festivities were in full swing, complete with a palm-leaf tree in the town square. The next, just a week later, buried in 20” of snow!

It makes the prospect of the next Design4Kids workshop in June that much more inviting. We’re considering a “Master Class” for the more advanced, experienced Fotokids. Keep tuned here and at www.Design4Kids for more to come on this workshop. And if you have the talents and experience to share – in photography, graphic design, marketing, entrepreneurship –  seriously consider in joining us as a volunteer mentor. There’s no way I can fully describe the incredible fulfillment and richness of emotion that comes from working with these kids.

Feel free to contact me for more info.

Photo Excursion To Panajachel

Wednesday, December 9th, 2009

Daisy BlogToday the group took a break from the teaching and project work and went for a day trip across the lake to Panajachel. The largest town on Lago Atitlan, Pana, as its often known, is the tourist and ex-pat mecca of the Atitlan area. This makes for a busy and photo-op rich environment.

One on Pana’a attributes is that all three of Atitlan’s volcanos – Vuncans Atitlan, San Pedro and Toliman are all visible from the town’s harbor. Heading up into town and all streets are predictably lined with shops offering local clothing, jewelry and all manner of souvenirs. It’s a colorful gauntlet, and if the shops don’t entice you the street vendors are always there with their offerings.

But we weren’t there to shop. Bree Hankinson, who runs the Fotokids program in Santiago, created The Amazing Photo Race for the kids (and the mentors). We teamed up in teams of three and went out into the town to solve a cryptic list of photo assignments. It made for some very creative thinking and rewarding inter-cultural teamwork between the kids and mentors. Not to mention some interesting interpretations and translations of the photo list!

Tomorrow its back to class and work on the project.

Introducing The Principles of Exposure

Tuesday, December 8th, 2009

D4K3 003We began the day with the less experienced kids in the group, and introduced them to the basics of exposure control – aperture, shutter and ISO, and the relationships between them. These kids have worked with digital point & shoot cameras and have a respectable grounding in composition, and this shows them how to get consistent, predictable results in their photos.

We had them shoot a bracket from -2 to +2 and then showed them how to import their images into Lightroom and make adjustments to their photos, recovering much of their under- and over-exposed frames.

It’s exciting to see the lights come on when the concepts sink in and they “get it”. Ana, one of the girls from “the city” (as Guatemala City is know down here) observed that the shot she liked best wasn’t the “correct” metered exposure – recognizing that having the skills to control the exposure allows you to interpret your image the way you visualize the final result.

Next we repeated the two classes with the more experienced members of the group. While most of them claimed to understand the use of aperture and shutter, it was clear that they all had only a little experience in applying the concepts of manual exposure control in their photos. Once they realized what they really can do by making the camera do what they want, they got totally into the process as well.

Tomorrow is an “excursion day” – no structured classes, but rather a creative play day, with activities that allow the kids to apply and practice the concepts and techniques they’re learning this week. Can’t wait to see what they come up with!

Taking A Different Look At Things

Saturday, August 29th, 2009

It’s been a long month since I’ve posted here. Been a crazy busy time, shooting a project for a client and preparing for the launch of The Photo Mentor course.

We met for our first class session on Thursday, August 27th. Since part of the idea behind this class is the development of an online course, we meet for one hour each week and a portion of the class is delivered to each member via email.

Everyone received the preliminary lesson online, then on Thursday we met at a local business-retail-entertainment center, which has a lake, attractions for kids and adults and is a bonanza of visual stimulation and photo opportunities. What better way to stir up a little creativity!?

After a short introduction here’s the assignment everyone did: roam around the center and photograph whatever appealed to their eye. There are a multitude of opportunities to photograph people, things, animals, scenery and buildings at this place. Sounds overly simple doesn’t it?

Here’s the real meat of the assignment. Instead of just wandering around shooting one or two pictures of everything, really take the time to concentrate on just a few subjects. Engage your creative mind and look for every possible way to shoot the same subject.

 

Students at the photo mentor classStart by thinking about both horizontal and vertical compositions. Try getting close, as well as backing up and getting a wider view.

Instead of just standing and shooting from your own eye level, try to get above your subject. And below. Even try laying down and shooting from ground level.

When taking pictures of people – and animals – this is especially effective. We’re all used to seeing the world from our eye level, our perspective. How about kneeling down and photographing kids eye-to-eye at their level. It’s probably been a long time since you looked at everything from their perspective. 

The whole idea is to get out of your routine way of looking at the world, breaking those habits and making yourself think and see things differently.

The students are now emailing me their photos. We’ll critique their photos and share everyone’s results with each other, so everyone can learn and grow.

So if you’re feeling stuck and bored with your pictures, and are looking to expand your thinking outside of the everyday routine box. Give this a try – whatever your subject.

Just be forewarned – once you do, you may find things don’t all fit back inside that box!

Stu Estler

Re-Photographing The Familiar

Monday, July 13th, 2009

In contrast to the week in Guatemala, where everything was new and exciting, I’ve just returned from a long holiday weekend spent with family at a lake we’ve been visiting for the past nine or ten years.

 

We go at about the same time each year (around July 4th), stay at the same house we’ve stayed at each year, and after that much time it all has the look and feel of familiarity that we all find in our own every day surroundings.

(c) 2009 Stu Estler

(c) 2009 Stu Estler

 

 

Now don’t get me wrong – it’s a beautiful location, it’s great to spend time together with the family, and there’s plenty to do at and around the lake. It’s hardly a boring vacation.

 

But after this long, I found myself working much harder to find new and different photo ops. Being a bit laid slowed down by an injury this year kept me from being as active and from ranging as far afield as I usually do, and that certainly played a part.

 

One of the first reactions in a place like this is to zone in on the beauty of the place and the ever-changing scene unfolding as weather moves up, down and across the lake.

 

But after ten years, I found myself thinking, “OK, so I don’t have a photo of the lake with THAT particular cloud formation, but I’ve got eleven dozen with cloud formations that look an awfully lot like that one.”

 

Of course, there will always be the shots of family and our activities, which are a never-ending source of subject matter. When we look back, it’s those pictures that keep the memories of those wonderful times alive.

 

We may always go up to the airport for the Fourth of July Pancake Breakfast, but this is probably the only time that I’ll see my niece’s son – would that be my grand-nephew? I’m still confused about all that stuff – probably the only time I’ll catch him surveying his handiwork on his pancake breakfast like this.

(c) 2009 Stu Estler

(c) 2009 Stu Estler

 

 

In fact there was barely time to lift the camera and press the shutter before the moment was gone. No time to carefully compose, and avoid the bright orange shirt behind him. A bit of localized saturation and tone reduction helped reduce that a little – believe me, that shirt must be neon international orange!

 

When the exciting becomes the ordinary, it’s helpful to go back to the basics, and take a look at things through different eyes.

 

Are you used to framing grand, sweeping panoramas? Switch to a long lens and take a much closer look at things. Concentrate on design, on color, on form instead of on what the subject is.

 

Select a particular focal length lens – even if it’s a particular setting on a zoom lens – and shoot everything, near and far, with that lens.

 

Get closer to your subject, for more intimate shots of people than the comfortable distance you may be used to shooting at.

(c) 2009 Stu Estler

(c) 2009 Stu Estler

In the end, it was on the last morning there, sitting by the water having coffee, that the patterns of light through the water, painting the rocks below, gave me some of my most successful photos.

 

There’s always something new to see no mater how familiar a subject is. It just takes looking at it from a different point of view.

Shootin’ In The Rain In Guatemala

Sunday, June 28th, 2009
Vulcan San Pedro Accross Lago de Atitlan (c) 2009 Stu Estler

Vulcan San Pedro Accross Lago de Atitlan (c) 2009 Stu Estler

High ISO’s and wide open apertures were the order of the day much of the time here in Santiago de Atitlan.

Our Workshop Leader Jeff Speigner (c) 2009 Stu Estler

Our Workshop Leader Jeff Speigner (c) 2009 Stu Estler

Lots of clouds and light rain making way for the deluge of water as the skies opened up once or twice a day, tempered by a few breaks in the clouds here and there. After all, it is the rainy season.

(c) 2009 Stu Estler

(c) 2009 Stu Estler

The ebb and flow of weather shrouded volcano San Pedro across the lake in an ever-changing veil of mist and clouds.

(c) 2009 Stu Estler

(c) 2009 Stu Estler

Of course, the last two days were clear and bright in the morning, as if word of our imminent departure had spread, and the beauty of Guatemala was enticing us to return soon.

 

 View of San Pedro From My Room (c) 2009 Stu Estler

View of San Pedro From My Room (c) 2009 Stu Estler

As the morning passes, the warming air gives birth to rings of clouds halfway up the slope. By noon a tremendous cap of billowing cumulous clouds gives the mountain the appearance of a new eruption – even though it’s been dormant for 40,000 years.

The great white and grey mushroom cap foretells the afternoon’s weather – torrential thunderstorms.

imap-001-blogThe weather taught new photographers and reacquainted we veteran instructors with the beauty and peacefulness of the soft light that embraces every subject when photographing in the rain.

 

(c) 2009 Stu Estler

(c) 2009 Stu Estler

Colors that become washed out in bright sunlight are vibrant and saturated. The brilliant flowers growing everywhere burst from the lush blanket of green that defines the landscape. Everything glistens in the wetness crafting reflections not to be found when photographing on a clear, dry day.

I was prepared for the wetness there – I knew it was the rainy season. I did my homework and so anticipated the beauty of the environment and culture.

 

 

(c) 2009 Stu Estler

(c) 2009 Stu Estler

What has completely blown me away has been the incredible talent of these kids! I felt humbled being there teaching them photography.

 

 

 

(c) 2009 Stu Estler

(c) 2009 Stu Estler

 

Although they vary in experience and skill levels, their creativity, energy and ability is amazing.

(c) 2009 Stu Estler

(c) 2009 Stu Estler

 

To see what we’ve been up to take a look at www.design4kids.org

(c) 2009 Stu Estler

(c) 2009 Stu Estler

The next workshop is already scheduled for early December. New volunteers with specialties in photography, design and the arts are eagerly welcome! Check the Design4Kids website and keep looking right here for more info.

I’m told December is sunny and dry!

Never Pass Up The Shot

Thursday, March 5th, 2009

OK, never is a pretty long time, and we’ve all got schedules to keep. But when you see a potential shot, and there’s any way to make it happen, take it now. Obviously street scenes and candids that include people will never be recreated exactly the same. But even subjects that aren’t going anywhere –  like landscapes, architectural shots – will never look quite the same again.

 

The combination of light, weather and all the other variables will never make it look quite the same. I too am subject to the rule of “gotta be somewhere” and have passed by scenes that were just perfect photo-ops, planning to come back at another time. No matter how many times I’ve returned, at the same time of day, with the same weather conditions, something has always been different and the shot was never quite the same.

 

Sure, there often is a shot there, but the shot – the one that caught your eye and imagination – is gone forever.